UrineTown is a show that is set in many locations, which was created through the lighting since we had a very stationary set. We (me and my co-designer Leo Perry) used various different methods to achieve this through color, practical lights, and differentiating between warm and cool front light. The show opens with Lockstock and Little Sally, who both break the 4th wall, so in those moments we used blue lights and cool front light to make the rest of the world feel frozen and bring people to them. The amenity used caged Edison bulbs to look like work or sewer lights, making it feel run down and  not as cared for. The Secret Hideout used flying Edison bulb light fixtures and trashcan fires (made using an oil drum and a PAR with a slight flicker effect on it) to create the dark sewer that the rebels hide in. The UGC headquarters has no practical lights because they felt to warm and grunge, and we wanted the UGC to feel very different than where our rebels are, which brings us to the color pallet. The Rebels sat in the purple, green, and blue color pallet with warm front light, giving that steampunk, grunge vibe whereas the UGC sat in the white and yellow color palate with cool front light to give the complete opposite vibe and making the offices feel more rich and clean. We also used moving lights and festoon lights in dance sequences to make them feel more large and dynamic. The Rebel hideout also used the Festoon lights to make it feel very grimy and communicate emotions of characters.